{"id":28,"date":"2025-02-18T08:31:25","date_gmt":"2025-02-18T07:31:25","guid":{"rendered":"https:\/\/barrere.com\/?page_id=28"},"modified":"2026-01-14T17:21:56","modified_gmt":"2026-01-14T16:21:56","slug":"presentation","status":"publish","type":"page","link":"https:\/\/barrere.com\/index.php\/presentation\/","title":{"rendered":"D\u00e9marche et parcours"},"content":{"rendered":"\n<div class=\"wp-block-cover\" style=\"min-height:791px;aspect-ratio:unset;\"><img decoding=\"async\" class=\"wp-block-cover__image-background wp-image-916\" alt=\"\" src=\"https:\/\/www.ateliersducouvent.fr\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-14-a-15.49.26-1-859x1024.jpg\" data-object-fit=\"cover\"\/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size\"><\/p>\n<\/div><\/div>\n\n\n\n<p><strong>Origine<\/strong><br>Apr\u00e8s un apprentissage classique du tournage et une pratique plut\u00f4t sage de la c\u00e9ramique, j\u2019ai peu \u00e0 peu l\u00e2ch\u00e9 la bride pour faire \u00e9merger un univers personnel, attir\u00e9 par l\u2019\u00e9trange. J\u2019y fa\u00e7onne des cr\u00e9atures et des objets hybrides, tant\u00f4t figuratifs, tant\u00f4t plus abstraits, qui racontent des histoires humaines : des r\u00e9cits travers\u00e9s par des \u00e9motions brutes, teint\u00e9s de fantasmagorie et d\u2019une pointe d\u2019ironie sur notre \u00e9poque\u2026 et sur ce que nous sommes.<\/p>\n\n\n\n<p><strong>Awake<\/strong> &amp; <strong>fantasque<\/strong><br>Mon imaginaire puise largement dans l&rsquo;esth\u00e9tique des dessins anim\u00e9s des ann\u00e9es 80, dont je d\u00e9tourne et r\u00e9interpr\u00e8te l\u2019esth\u00e9tique pour naviguer entre l\u2019absurde et la po\u00e9sie. J\u2019y fabrique mes propres mythologies, quelque part entre l\u2019ironie de l\u2019existence et une forme de biologie exp\u00e9rimentale, avec un regard toujours en \u00e9veil sur notre culture, \u00e0 nos corps et \u00e0 ce que nous traversons.<\/p>\n\n\n\n<p>Chaque pi\u00e8ce est une invitation \u00e0 regarder au-del\u00e0 des formes : il faut chercher le sous-texte. Sous l\u2019humour ou l\u2019\u00e9tranget\u00e9 se glissent des r\u00e9cits d\u2019humanit\u00e9, parfois absurdes, toujours sinc\u00e8res.<\/p>\n\n\n\n<p>Je travaille en cuisson haute temp\u00e9rature, une pratique exigeante que j\u2019appr\u00e9cie pour sa capacit\u00e9 \u00e0 transformer la mati\u00e8re. J\u2019utilise des \u00e9maux \u00e0 effets, leur caract\u00e8re impr\u00e9visible m\u2019impose un dialogue permanent avec le four. Chaque cuisson devient un rituel \u00e0 l\u2019issue incertaine, je recuis parfois, je tente de domestiquer le chaos, j&rsquo;aime l\u2019accident qui devient parfois r\u00e9v\u00e9lation ou remise en question&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/barrere.com\/wp-content\/uploads\/2025\/02\/prematuroeuf-1024x1024.jpg\" alt=\"\" class=\"wp-image-46\" srcset=\"https:\/\/barrere.com\/wp-content\/uploads\/2025\/02\/prematuroeuf-1024x1024.jpg 1024w, https:\/\/barrere.com\/wp-content\/uploads\/2025\/02\/prematuroeuf-300x300.jpg 300w, https:\/\/barrere.com\/wp-content\/uploads\/2025\/02\/prematuroeuf-150x150.jpg 150w, https:\/\/barrere.com\/wp-content\/uploads\/2025\/02\/prematuroeuf-768x768.jpg 768w, https:\/\/barrere.com\/wp-content\/uploads\/2025\/02\/prematuroeuf-1240x1240.jpg 1240w, https:\/\/barrere.com\/wp-content\/uploads\/2025\/02\/prematuroeuf-508x508.jpg 508w, https:\/\/barrere.com\/wp-content\/uploads\/2025\/02\/prematuroeuf.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<p><strong>Affiliations :<\/strong><\/p>\n\n\n\n<p>Membre actif des Ateliers d\u2019art de France<br>Membre de l\u2019association \u00ab&nbsp;Terres et Terre&nbsp;\u00bb, regroupant les c\u00e9ramistes de Midi-Pyr\u00e9n\u00e9es<\/p>\n\n\n\n<p><strong><span style=\"text-decoration: underline;\">Chronologie : \u00c9v\u00e9nements Artistiques, Expositions, formation initiale :<\/span><\/strong><\/p>\n\n\n\n<p><strong>2026 :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Exposition <strong>L&rsquo;odyss\u00e9e des imaginaires au Centre de C\u00e9ramique Contemporaine de Giroussens<\/strong><\/li>\n\n\n\n<li><strong>Bandol<\/strong> 5 et 6 avril\u00a02026<\/li>\n\n\n\n<li><strong>All\u00e9es C\u00e9ramique<\/strong> Tououse septembre 2026<br><\/li>\n<\/ul>\n\n\n\n<p><strong>2025 :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Formation <strong>\u00e9maux \u00e0 effets<\/strong> avec <a href=\"https:\/\/www.instagram.com\/robroyceramique\/\"><strong>Robert Roy<\/strong><\/a><br><\/li>\n\n\n\n<li><strong>Les Ext\u00e9rieurs<\/strong>&nbsp;: La Borne Juin 2025<br><\/li>\n\n\n\n<li>March\u00e9 de Giroussens<br><\/li>\n\n\n\n<li><strong>Galerie ArtCoBlan<\/strong>, Tarn, Avril-mai 2025<br><\/li>\n\n\n\n<li>Formation \u00e9maux avec <a href=\"https:\/\/www.instagram.com\/toto.chercheur.d.email\/\"><strong>Thomas Richardot<\/strong><\/a><br><\/li>\n<\/ul>\n\n\n\n<p><strong>2024 :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Fragments#4<\/strong>&nbsp; Salon d&rsquo;artisans d&rsquo;art Toulouse.  novembre 2024<\/li>\n\n\n\n<li><strong>Les All\u00e9es C\u00e9ramiques<\/strong>  March\u00e9 de c\u00e9ramiste contemporains<\/li>\n\n\n\n<li>Commissaire d\u2019exposition \u2013&nbsp;<strong><a href=\"https:\/\/www.terre-et-terres.com\/exposition\/exposition-2024-verts-du-20-avril-au-16-juin-2024\/\" target=\"_blank\" rel=\"noreferrer noopener\">Vert[s] 17 c\u00e9ramistes explorent la couleur<\/a><\/strong>.&nbsp;<\/li>\n\n\n\n<li>Exposition&nbsp;<strong>Artistes \u00e0 Suivre<\/strong>, Aude<\/li>\n\n\n\n<li>&nbsp;\u00ab&nbsp;<strong>L\u2019Art est dans ma nature<\/strong>\u201d , exposition priv\u00e9e chez le collectionneur Philipe Chambost<\/li>\n<\/ul>\n\n\n\n<p><strong>2023 :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Membre actif des Ateliers d\u2019art de France<\/li>\n\n\n\n<li><strong>Les ARTS DU FEU<\/strong>&nbsp;\u2013 Martres Tolosane<\/li>\n\n\n\n<li>Exposition d\u2019art contemporain \u00ab&nbsp;<strong>Campagn \u2018Art&nbsp;<\/strong>\u00bb<\/li>\n\n\n\n<li>S\u00e9lectionn\u00e9 pour l\u2019\u00e9tape r\u00e9gionale du Concours Ateliers d\u2019Art de France pour la r\u00e9gion Occitanie<\/li>\n\n\n\n<li>March\u00e9 C\u00e9ramique Contemporaine de Giroussens<\/li>\n\n\n\n<li>\u00ab&nbsp;<strong>L\u2019art habite l\u2019espace<\/strong>&nbsp;\u00bb \u2013 Levallois-Perret \u2013 exposition par \u00ab&nbsp;<strong>Collection Stephanie Peyrissac<\/strong>&nbsp;\u00bb et Louise Lance, organis\u00e9e par le Centre d\u2019Art La Ferme Saint Michel.<\/li>\n\n\n\n<li>Les&nbsp;<strong>All\u00e9es C\u00e9ramique&nbsp;<\/strong>March\u00e9 de c\u00e9ramiste contemporains, Toulouse<\/li>\n<\/ul>\n\n\n\n<p><strong>2022 :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Exposition \u00ab&nbsp;<strong>Oiseaux de Feu<\/strong>&nbsp;\u00bb au Centre C\u00e9ramique Contemporaine, Giroussens<\/li>\n\n\n\n<li>Adh\u00e9rent \u00e0 la Route des M\u00e9tiers d\u2019Art<\/li>\n\n\n\n<li>Stage p\u00e2te de verre chez&nbsp;<strong>Jean Fran\u00e7ois Delhorme<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>2021 :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Exposition&nbsp;<strong>Jardin des Martels<\/strong>, Giroussens<\/li>\n\n\n\n<li>Exposition &nbsp;<strong>Galerie L\u2019Embarcad\u00e8re<\/strong>, Lisle-sur-Tarn<\/li>\n<\/ul>\n\n\n\n<p><strong>Formation initiale en C\u00e9ramique<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Stage de coulage porcelaine chez&nbsp;<strong>Isma\u00ebl Carr\u00e9<\/strong><\/li>\n\n\n\n<li>Formation&nbsp;<strong>IMARA<\/strong><\/li>\n\n\n\n<li><strong>Ateliers avec Natacha Brosset et Remy Deboutiere \u00e0 Uzech-les-Oules<\/strong><\/li>\n\n\n\n<li><strong>Atelier avec Jacques Czerviek, R\u00e9almont<\/strong><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OrigineApr\u00e8s un apprentissage classique du tournage et une pratique plut\u00f4t sage de la c\u00e9ramique, j\u2019ai peu \u00e0 peu l\u00e2ch\u00e9 la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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